“She kissed not a mouth, but the corpse of language.”
The Salomé Project is a constellation of critical essays orbiting a central philosophical thesis on ethics, voice, and symbolic resistance. Through the figure of Salomé, the project investigates the intersection of silence, truth, femininity, and non-verbal ethics across cultural, political, and mythic terrains. Each paper offers a focused reflection on symbolic embodiment, discursive exclusion, and the radical gestures that emerge when language fails.
Salomé’s kiss is not seduction—it is a non-verbal ethical act.
She represents not the temptress, but a silenced humanity attempting to relate to truth.
John (Truth) rejects the human, submitting instead to divine authority—thus abandoning ethical responsibility.
Even when Truth is dead, humanity kisses, mourns, and marks its departure.
Introduction: Truth, Language, and the Triangle of Ethics
Methodology: Critical Performative Hermeneutics + Feminist Theory
Kiss as Act: How the kiss emerges as ethical praxis
The Refusal of Truth: John’s submission and ethical failure
The Ethics of the Dying Body: Language's death and Salomé’s final gesture
Conclusion: What remains after the kiss?